PostHeaderIcon Special Anniversaries Call For The Very Best Entertainment

An unusual way to celebrate a special anniversary is by hosting an interactive murder mystery dinner party! Sharpo’s Murder Mystery Evening is highly acclaimed and is not just a dinner theater show, but is in fact a game facilitated by professional actors. Actors infiltrate the party and mingle among your guests. It is sometimes hard to tell who is who. The mystery begins with a bang and a body and then unfolds throughout dinner and dessert. Scenes take place where the detective interrogates audience members and cast in order to get to the solution. This is a fun exciting way to celebrate your anniversary. It is role playing while still playing yourself. Many have called this the ultimate escapist fantasy! Fine dining, mystery, and intrigue! Players get the chance to solve the crime and clear their names for a chance to win a grand prize!

It is very popular to host a murder mystery party in your home for anniversaries and other occasions. The producers of Sharpo Incorporated are Eric Howell Sharp, a member of the prestigious Mystery Writers Of America, and partner, Nora Jean Sharp. Together they have designed a murder mystery program especially for house parties. It is devilishly clever and fun, and works with only two professional Sharpo actors which keeps the price affordable. This program is suitable for up to 50 players. There is also a Sharpo! Murder On Call production with 3 professional actors, or the Full Production Murder Mystery with 5 professional cast members. This is the same hit murder mystery that is playing weekly on Friday nights at the historic El Cid Dinner Theater in Los Angeles.

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PostHeaderIcon Shakespeare Plays

Among the Shakespeare Plays to be performed this summer in the Midwest is "The Tempest". The Michigan Shakespeare Festival will be performing "The Tempest" on July 14, 17, 19, 23, 25, and August 1st. To give you a little background on "The Tempest", I have included this very informative article.

The Tempest is the last complete play, which Shakespeare is believed to have written. In many ways it is unlike any other of his works. It is the only play, which faithfully observes the "unities" (time [less than 24 hours], place and plot-structure) described by Aristotle in his Poetics. The entire play (with the exception of the very first scene) is set on a fictional island, which almost seems alive with magic, both visual and aural. This dream-like setting provides the perfect atmosphere for the play's fantastical happenings.

While the island is a natural place, it is also otherworldly. By creating dream-like and semi-real images, Shakespeare evades representation of the world of materiality. This setting is utilized to explore themes ranging from social order and the supernatural to the conflict between 'civilized' man and nature. This can also be taken to represent the cruelty of the European colonists of the New World, which was beginning to become more accessible to settlers at the time the play was written. Few of Shakespeare's plays have plots so driven by the supernatural as The Tempest. Magic is the agent, which creates the conflict between the different characters or factions, but it is also the method by which the conflict is ended and Prospero achieves his goal. It can represent the characters denial of human rights and ignorance of the importance of uninfluenced human emotion, but also the dangers of self-indulgence and hunger for power. As well as being used to drive the plot and keep interest among the readers, it illustrates the basic themes of love, power and politics. Also, it helps us understand some deeper themes in the play, such as the blurring of the line

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PostHeaderIcon Shakespeare Festival

As an educator of the arts and humanities, I wanted to share this article about performing a concise, but meaningful version of Shakespeare for a Shakespeare Festival, for times when a full Shakespearean production is far too long.

You're a teacher looking for a shorter version of Shakespeare to perform with your students, something more manageable. You're a writer with a particular play in mind to adapt but don't know where to start.

You want to perform Shakespeare in a festival with a time limit. You're a theatre company that wants to put on Hamlet, but not all four hours of it.

There are many reasons to edit Shakespeare. But where you do start? How do you keep the integrity of the piece intact? How do you know what should stay and what goes?

Here are three elements to consider for a pared down Bard.

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